Antiquities
1-10
11
Fine Paintings
12-21
22-31
32-41
42-43
Decorative Paintings
44-53
54-63
64-73
74-83
84-86
Works On Paper
87-106
107-126
127-146
147-166
167-186
187
Garden Elements & Fine Furniture
188-197
198-207
208-217
Clocks
218-223
Decorative Arts
224-233
234-243
244-253
254-263
264-273
Objets de Vertu
274-283
284-293
294-296
Silver
297-306
307-316
317-326
327-330
Estate Jewelry
331-350
351-370
371-390
391-410
411-430
431-435
Glass
436-445
446-455
456-465
466-475
476-485
486-495
496-500
Porcelain & Ceramics
501-510
511-520
521-530
531-540
541-550
551-560
561-570
571
Inkwells & Desk Accessories
572-581
582-591
592-599
Orientalia
600-609
610-619
620-629
630-639
640
Oriental Carpets
641-650
651-660
661-670
671-674
Tapestries, Textiles & Wallpaper
675-684
685-689
Ancient Coins
690-699
700-709
Books, Maps, Manuscripts & Letters
710-719
720-729
730-736
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87. Michael Wolgemut (German, born c.1434-1519) "The Crucifixion" an original woodcut by Michael Wolgemut and Wilhelm Pleydenwurff for the Franciscan Stephan Fridolin's "Schatzbehalter oder schrein der waren reichtuemer des hails vnnd ewyger seligkeit" in Nuremberg, Germany. This woodcut is dated c.1491. Page measures apprx 11-1/2" H x 7-1/4" W. With mat this piece measures apprx 14" H x 11" W. 400/600 Sold: $1,736.50 |
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88. Bernardo Parentino (Italian 1437-1531) A page from a collector's album is attributed to Italian artist Bernardo Parentino. Collector's album included various sketches and drawings executed in brown ink with red wash. The album is known as the Moscardo Album, belonging to the the Veronese family. This drawing is dated c. 1482 and entitled "Putti Dancing Around a Vase" or "Grimacing Cherubs". Drawings from the album were exhibited in Munich in 1977. This drawing from the album measures apprx 7-1/2" x 8", on chained lined and water marked with a bow and arrow. A collectors blind stamp located at lower left corner, possibly "HL" or "FL" in a squared stamp. Perimeter of paper has been adhered to wove paper to protect the edges and this has archival tape where it's been tipped onto backing mat board. 5,000/8,000 |
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89. Israel van Meckenem The Younger (German, active c. 1450-65) "The Foolish Virgin", copper plate engraving on paper. Collector's stamp on verso. From the Lichtenstein collection. He was trained by his father and probably by Master E.S. Although a minor figure as a creative artist, most of his works were copies. He is important in history as the popularity of engraving became wide spread and he is also the first artist to engrave his own likeness in a double marriage portrait. Paper size apprx 3-3/16" x 4-11/16". 5,000/7,000 Sold: $3,680.00 |
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90. Martin Schongauer (German 1445-1491) Engraving of "Christ before Annas", a c. 1477-1520 engraving on chain lined paper with letter "P" and flower water mark, either Cologne of Strasbourg. This is not a lifetime impression. Size apprx 4-1/2" x 6-1/2". He was a German Northern Renaissance Painter and is known as the most important engraver and draughtsman in German art before Dürer. The Hermitage Museum in Saint Petersburg, Russia has the largest public collection of his works. Reference: Painting of Europe, XIII-XX Centuries, Encyclopedic Dictionary, Moscow, Iskusstvo-1999. 6,000/8,000 Sold: $4,485.00 |
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91. Anonymous Dutch, The Netherlands, C.1500 "Martyrdom of A Female Saint", in the manner of Lucas van Leyden (Lucas Hugensz or Jacobsz), possibly Leiden in the Netherlands. Pen and ink on paper, size apprx 10-7/8" x 7-7/8" (275 x 200mm). Vetted by Fritz Koreny. At the left a collector's mark is still unidentified. This item was displayed at the TEFAF,Maastrict, Holland in 2000. 14,000/18,000 |
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92. Bartolomeo da Brescia, (Italian, 1506-1578) "Lamentation", dated 1565, representing the Virgin Mary mourning over the dead body of Jesus. A copper engraving on chain lined, water marked paper. Artist signed upper right in plate "BARS.BRIX.F..65.". Verso inscribed "Vente Veron" in pencil. Plate size apprx 9-7/8" x 7", paper size apprx 10-1/2" x 7-5/8". Tipped into archival matting. Provenance: purchased at Colnaghi, London, c. 1978. 3,000/5,000 |
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93. Jacques Callot (French, 1592-1635) A lot of two engravings on time toned wove paper. The first depicts Christ washing the apostles feet and the second shows Christ being led away from the court. The humility is signed in the plate and numbered "2.", impression apprx 4-3/8" x 8-3/8". The second is apprx 4-1/8" x 8-1/2". 200/300 Sold: $69.00 |
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94. Jacques Callot (French, 1592-1635) "The Martyrdom of Saints Fusque and Maure" from the "Calendar of Saints", originally c. 1636, this is a later state, c. 18th century. Etching on chained lined paper, archival mat. Oval cartouche with image, lower area with "Sa Nourice de Ravenne". Probably trimmed, paper apprx 3-13/16" x 2-1/16". De-accessioned property from an important Midwestern museum collection. 50/75 Sold: $23.00 |
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95. Jacques Callot (French, 1592-1635) "The Martyrdom of Saint Eulalie of Barcelona" from "The Calander of Saints", originally c. 1636, this is a later state, c. 18th century. Etching on chained lined paper, archival mat. Oval cartouche with image, Latin and French text in lower square; "she was ordered to be placed on the cross so that the birds would eat her alive". Probably trimmed, paper apprx 3-13/16" x 2-1/16". De-accessioned property from an important Midwestern museum collection. 50/75 |
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96. Anthonie Waterloo (Flemish, 1610-1690) From the "Traveler" series, depicts a man and dog walking on road side. Copper etching on laid paper, trimmed and tipped at four corners to woven paper. Image size apprx 4-1/2" x 6-1/4", not framed. Verso has ex-collection inventory number in pencil. Works in permanent collections of the Fine Arts Museums of San Francisco and the Université de Liège Collections. 100/200 Sold: $178.25 |
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97. Anthonie Waterloo (Flemish, 1610-1690) From the "Traveler" series, depicts people bathing in pond with distant town. Copper etching on laid paper, trimmed and tipped at four corners to woven paper. Image size apprx 5-5/18" x 6-5/8", not framed. Verso of backing paper has ex-collection inventory numbers in ink and pencil. Works in permanent collections of the Fine Arts Museums of San Francisco and the Université de Liège Collections. 100/200 Sold: $149.50 |
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98. Attributed to Guillam DuBois (French, 1625-1680) This pencil drawing is attributed to French artist Guillam DuBois. Signature is located in central upper section. This is a view of a Dutch landscape with figures located throughout. Paper measures apprx 8" H x 21-1/2" W. With mat and frame this drawing measures apprx 13-3/4" H x 26" W. 300/400 |
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99. Pietro Santi Bartoli, (Italian, 1635-1700) An 18th Century engraving with period hand coloring on chain lined and watermarked paper. Depiction of a reclining male nude with a crown of laurel leaves. He is joined by a young couple. Plate is numbered upper right LII. Impression is apprx 13-1/2" H x 10" W. Overall paper size is apprx 20-1/2" H x 13" W. 300/500 Sold: $299.00 |
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100. Fillippo Passarini (Italian 1638-1698) "Ornamental Print" from the edition "Nuove Invenzioni d'Ornamenti", original published in 1698. Etching on heavy chain lined paper, c. 1700. Signed in the plate lower right, left entitled "In Roma nella Stamperia di Domenico de Rossi alla Pace con Privil", (Printing office of Domenico). Impression apprx 8-3/4" x 12-5/8", paper apprx 14-3/8" x 18-7/16". De-accessioned property from an important Midwestern museum collection. 100/150 Sold: $46.00 |
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101. Romeyn de Hooghe (Dutch 1645-1708) A set of four biblical illustrations, later states, c. after 1699. Etchings on chained lined paper, two with text on verso. Lower right image is signed in plate: "Rom. de Hooge Inventor et fecit.-I. Linttenberg Excudit cum Privil.". Lower left image just with "I. Linttenberg Excudit cum Privil.". Each apprx 6" x 7-11/16", probably trimmed. de Hooghe was the most significant Netherlandish engraver in the second half of the seventeenth century. De-accessioned property from an important Midwestern museum collection. 100/150 Sold: $293.25 |
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102. Francesco Guardi (Italian, 1712-1793) View of the San Giorgio Maggiore, from the years between 1784 and 1789. Gray wash on chain lined paper. Framed, image size apprx 12-1/2" x 17-3/4", unsigned, folded vertically in center. Overall size with frame apprx 26" x 30". Verso shows transportation tags from the London firm of Walton & Company. Watermarks can be lightly seen in the paper. 10,000/20,000 |
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103. Francesco Guardi (Italian, 1712-1793) View of the Grand Canal, Venice, from the years between 1784 and 1789. Gray wash on chain lined paper. Framed, image size apprx 12" x 17-1/2" with apprx 1" of margin all around under mat, unsigned, folded vertically in center. Overall size with frame apprx 26 x 30". Verso shows transportation tags from the London firm of Walton & Company, old framing tag from Knoedler, NY. Watermarks are lightly visible in the paper. 10,000/20,000 |
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104. Michelangelo Maestri (d. 1812) Gouache on black paper, under glass. Entitled "Cupids Drawn by Dolphins, Etc". This is an image of a naked putti being pulled by a pair of snails in a chariot race. Tag on verso states the authenticity of this piece. Registered number of D.10253. Image measures apprx 10-1/2" H x 14" W. With frame this piece measures apprx 18-1/2" H x 22-1/4" W. 4,000/6,000 |
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105. Attributed to Giovanni Battista Cipriani (Italian, 1727-1785) "King of the Hill". A pencil and sanguine drawing of several small children playing king of the hill. The children all have cherubic faces and flowing curly hair. It is framed in original gold leaf frame under glass with a beveled painted oval shaped wood mat. On verso is the artist's name "G.B. Cipriani R.A. 1727-1785" in pencil. Overall size is apprx 9-1/2" x 11-1/4", image size is 6-1/4" x 8". 600/800 Sold: $373.75 |
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106. Francisco Goya y Lucientes (Spanish, 1746-1828) "Los Caprichos: Que pico de Oro!" Plate 53. No visible watermark, cream colored laid paper. Impression from before the steel facing of the plate, believed to be a fifth edition. The eighty etchings of "Los Caprichos" were the first collection Goya produced for sale as a single set. In 1803, fearful of the Spanish Inquisition, Goya relinquished the plates to Charles IV, in return for a pension for his son. The plates remain with the Calcografia, issued in the ensuing years by that institution. Apprx 8-1/4" x 6-1/2" plate mark, (image apprx 18.8 x 12.4cm). Overall measures apprx 11" x 7-3/4". 200/400 Sold: $218.50 |
