Antiquities
1-4
Fine Paintings
5-29
30-54
55-79
80-104
105-129
130-135
Works on Paper
136-160
161-185
186-210
211-235
236-260
261-285
286-310
311-319
Fine Paintings from India
320-329
330-339
340-343
Sculpture
344-353
354-363
364-373
374-381
Furniture
382-391
392-401
402-411
412-420
Fine Silver
421-430
431-440
441-450
451-460
Jewelry
461-470
471-480
481-490
491-500
501-510
511-515
Fine Lamps and Lighting
516-525
526-532
Glass
533-542
543-552
553-562
563-569
Porcelain, Pottery & Ceramics
570-579
580-589
590-599
600-609
610-619
620-629
630-635
Books, Maps & Manuscripts
636-645
646-655
656-665
666-675
676-681
Decorative Arts
682-691
692-701
702-711
712-721
722-726
Oriental Carpets
727-736
737-746
747-756
757-766
767-773
Orientalia
774-783
784-793
794-803
804-813
814-819
A Collection of Ivory Carvings
820-829
830-839
840
A Collection of Opera Glasses
841-850
851-860
861-862
Lladro & Royal Doulton
863-877
878-892
893-907
908-922
923-932
|
136. Giovanni Batiste Piranesi (Italian, 1720-1778) "Del Palazzo Dell Accademia." Engraving on paper, framed, 16-1/4" x 22-1/4" image size, with matting and frame apprx 23-5/8" x 30-1/4". 1,200/1,600 |
|
137. Giovanni Batiste Piranesi (Italian, 1720-1778) Self Portrait. Engraving on paper, ca. 1750, apprx image size 15" x 11-1/4", with mat frame apprx 25" x 21-1/8", 500/800 |
|
138. Giovanni Battista Piranesi (Italian, 1720-1778) "Urne, Cippi, E Vasi Centrar di Marmo Nellavilla Corsini Fuori di Porta S. Pancrazio." Two part copperplate engraving: Image on top and text in Italian on bottom, on laid paper. Signature as part of the engraving on the lower right corner. The image depicts a lineup of urns, columns, and burial vases from ancient Rome. Judging from the watermark numbered 35 (ref. Piranesi Early Architectural Fantasies: A Catalogue Raisonne of the Etchings, by Andrew Robinson, page 222) on the back of the engraving, this piece is from the later Roman editions of the Opere Varie circa 1760's. Artist, engraver, and architect, Giovanni Battista Piranesi was never successful commercially; however, earned a reputation of "Rembrandt of architecture." He also was one of the most authoritative archeologists of his time. 1,500/2,500 |
|
139. Giovanni Battista Piranesi (Italian, 1720-1778) "Remains of the Temple of Apollo Near the Adviana Villa close to Tivoli." A first state engraving on thick creme color laid paper with watermark. Signed "Cavalier Piranesi, inc." on the lower left corner as a part of the engraving. Imprint measures approx. 18-5/8" x 24-1/4"W. From the watermark, which is 36 or 39 (ref. Piranesi Early Architectural Fantasies: A Catalogue Raisonne of the Etchings, by Andrew Robinson, page 222-223), the engraving was printed in the late 18th Century in later Roman editions of the Opere Varie, which is a collection of all the engraving Piranesi created. Artist, engraver, and architect, Giovanni Battista Piranesi was never successful commercially; however, he earned a reputation of "Rembrandt of architecture." He also was one of the most authoritative archeologists of his time. 800/1,200 Sold: $603.75 |
|
140. Daniel Leperniere (ca. 1745-1785) engraver A Hunting Piece No. 3 "The Whipper-In Thrown Out." Hand-painted engraving by Daniel Leperniere of a painting by John Wootton (ca.1683-1764). Image size approx. 16-3/4" x 23". In wood gilt frame, overall approx. 29-3/4" x 34". One of 'A Set of Prints engraved after the most capital Paintings in the Collection of Her Imperial Majesty, the Empress of Russia, lately in the Possession of the Earl of Orford at Houghton in Norfolk', published by John Boydell, London 1779. According to the inscription, the original painting measured 6 feet 10 inches high by 8 feet 5 inches long. The persons depicted include Sit Robert Walpole, Colonel Charles Churchill, and Mr. Turner. 800/1,200 Sold: $316.25 |
|
141. Unknown Artist, ca. 19th Century Untitled Portrait. Ink on paper, not signed; however, not inspected out of framing. Image size approx. 5-1/2" x 4-1/4", framed overall approx. 11" x 9-1/2". 100/300 Sold: $69.00 |
|
142. Lot of Two Engravings by J. Baptiste (French, ca. 18th Century) "Bouquet with Pink Carnation and Blue Ribbon" and "Bouquet with Pink Rose and Yellow Ribbon." Engravings with hand coloring on laid paper. Engraved by J. Marchand, Paris, around 1780. Both framed and matted. Image approx. 7-7/8" x 5-1/4, framed overall approx. 14-1/2"H x 12". 150/250 Sold: $178.25 |
|
143. Composition From Dante, Designed by John Flaxman (English, 1755-1826) "Awakening of the Furies". An engraved illustration depicting the awakening of the Furies, plate 25, London, published for John Flaxman in 1795 by J. Mathews. Image size approx. 7-1/4" x 13-1/2", with gold tone wood frame, apprx 17-1/4" x 21-1/4". Treated for conservation by Alexander Katlin, Flushing NY. 200/400 Sold: $57.50 |
|
144. Attributed to Thomas Lound (English, 1802-1861) Untitled. Graphite on paper, signature not found, matted. The image depicts a run-down house. Image size approx. 12-1/4" x 9-1/2", matted overall approx. 18" x 14-1/2". Thomas Lound was a Norwich landscape painter and engraver. He exhibited in Norwich and in London at the Royal Academy. 150/225 Sold: $74.75 |
|
145. English School, ca. 1812 Pen and ink drawing of two angels. Unsigned, however inscribed "by a very dear friend" in the lower margin. Mounted to backing paper and tipped into mat. Drawing apprx 3-3/4" x 6-1/2", with mat apprx 6-3/4" x 8-1/2". 100/300 Sold: $235.75 |
|
146. English School, ca. 1829 After Rembrandt, this pen and ink drawing is signed lower right margin by T. Mason and dated 1829. Drawing is tipped to backing board and has an overmat. Image apprx 4-15/16" x 6-3/16". With mat apprx 8-1/2" x 10". 300/500 Sold: $149.50 |
|
147. Two Compositions From The Tragedies of Aeschylus, Designed by John Flaxman, Engraved by Thomas Piroli and Frank Howard Plates 15 and 16, London, published April 15th, 1831 by Miss Flaxman and Miss Maria Denman, 74 Upper Norton Street, Fitzroy Square. Line engravings taken from the folio of thirty six plates. The names of the characters and the quotations are given on each plate. The labels are made from the top four lines of the new title page. This publication is a re-print of the English 1795 plates with the inscriptions altered. Image size approx. 9-1/2" x 15-3/4", with double mat and gold tone wood frame approx. 16-1/2" x 22-1/4". 600/800 |
|
148. A Second Pair, Compositions From The Tragedies of Aeschylus, Designed by John Flaxman, Engraved by Thomas Piroli and Frank Howard Plates 17 and 18, London, published April 15th, 1831 by Miss Flaxman and Miss Maria Denman, 74 Upper Norton Street, Fitzroy Square. Line engravings taken from the folio of thirty six plates. The names of the characters and the quotations are given on each plate. The labels are made from the top four lines of the new title page. This publication is a reprint of the English 1795 plates with the inscriptions altered. Image size approx. 9-1/2" x 15-3/4", with double mat and gold tone wood frame approx. 16-1/2" x 22-1/4". 600/800 |
|
149. John George Brown, N.A. (American, 1831-1913) "The Shoe Shine Boys". New York: Radtke, Lauckner & Co., 1893. Image size approx. 19-1/2" x 29-3/4". Overall in antique frame approx. 35-1/2" x 45", under original rolled glass. Engraved by Charles Schlecht. Large original margins. Signed by the artist and the engraver in the image. 500/700 Sold: $287.50 |
|
150. F. Oldnall (late 19th/early 20th Century) Watering horses, signed lower left "F. Oldnall". Watercolor on paper, matted and framed, image size approx. 16" x 22", overall approx. 24-1/2" x 31". 150/300 Sold: $143.75 |
|
151. Two Framed Prints from Jean B.G. Roux de Rochelle's Etats-Unis d'Amérique Steel engravings with old coloring, in similar mats and matching frames, by Vernier and Milbert. One view is of immigration and the other is a slave auction. Image size apprx 4-1/2" x 6-1/4", with frames apprx 12-1/2" x 14-1/4". 100/150 Sold: $34.50 |
|
152. Mary Cassatt (American-French, 1844-1926) "Margot with Bonnett". Drypoint etching with hand coloring on paper, not signed. Matted and framed. Image size approx. 9" x 6", framed overall approx. 27" x 25". The American Impressionist painter, Mary Cassatt, is best known for her mother and child compositions and also for her color prints, influenced by Japanese woodblock techniques, and combining drypoint, etching, and aquatint. Provenance: From the collection of Tom Wilson, Cleveland, Ohio. Mr. Wilson's collection spans several decades and includes wonderful Art Deco, sculpture, paintings and drawings from around the the world. Mr. Wilson is a well know cartoonist and creator of the character Ziggy. 600/900 Sold: $977.50 |
|
153. Francesco Coleman (Italian, 1851-1918) Untitled street scene by a renowned Italian painter Francesco Coleman. Watercolor on paper, adhered to backing board. Signed and dated "F Coleman Roma 1882" on the lower right corner. Not framed. Paper measures approx. 22" x 15". 1,000/2,000 Sold: $1,380.00 |
|
154. John Hemming Fry (American, 1860 - 1946) "Reclining Nude." Pastel on paper, signed "J. Hemming Fry" on the lower left corner, matted and in a wood gilt frame. Image size approx. 13-1/2" x 19-1/2", framed overall approx. 22" x 28". Provenance: From the collection of Tom Wilson, Cleveland, Ohio. Mr. Wilson's collection spans several decades and includes wonderful Art Deco, sculpture, paintings and drawings from around the the world. Mr. Wilson is a well know cartoonist and creator of the character Ziggy. 500/1,000 Sold: $316.25 |
|
155. A. Graverol (French, 1865-1949) A pen and ink illustration of an angel rising above devilish creatures reading a book with cathedral in the background. Wonderful colors in this unusual image. Image size apprx 6-1/8" x 3", overall paper size apprx 8-3/8" x 5-1/4". Initialed in the image lower left corner. 150/250 Sold: $235.75 |
|
156. A. Graverol (French, 1865-1949) A pen and ink illustration of a nude woman as a musical instrument. A Black clouds are behind her while three angels without bodies are flying around her. Wonderful colors in this exotic image. Image size apprx 5-3/4" x 3-6/8", overall paper size apprx 16-1/2" x 12-1/2". Initialed in the image lower left corner. 200/300 Sold: $264.50 |
|
157. Joseph Pennell (American, 1866-1926) "Industrial." Black and white lithograph on paper, signed on the lower margin; gift inscribed. Matted and framed in a black wood frame. Image size approx. 17" x 21-1/2", framed overall approx. 23-1/2" x 28". Born in Kings Creek, North Carolina in 1866, Joseph Pennell became best known for his detailed illustrations and etchings, a process he began in the late 1870s. He completed over 1800 etchings and lithographs, executed mostly in Europe before 1917. His style was strongly influenced by James M. Whistler, and his technique was influenced by drawings of Charles Reinhardt. He also wrote and illustrated nearly one hundred books, including a biography of Whistler. 100/200 Sold: $120.75 |
|
158. Alexander Robinson (American, 1867-1952) "Boats." Watercolor and chalk, signed "Alexander Robinson" on the lower right corner. A Spanish harbor scene in muted rust and plum red, in a gold metal frame with rusty mat, circa 1913, image size approx. 21" x 16", framed overall approx. 28" x 22". 600/800 Sold: $690.00 |
|
159. William Sommer (American, 1867-1949) A lot comprised of two artifacts. First, an untitled Still Life. Lithograph on paper, printed also the name "William Sommer" on the lower right corner. Still life drawing of fruit bowl and a small smoke pipe. Paper size approx. 11" x 8-1/2", framed overall approx. 15-1/2" x 14-1/2". The second object in this lot is a brochure from the 1924 Kokoon Club Bal Masque, with the cover designed by Sommer. Inside the 9" x 6" stapled brochure are lithographic advertisements by Kokoon Club member artists including Sommer, August Beihle, Jospeh Jicha, Rolf Stoll, and other contemporaries. William Sommer is seen as a key person in bringing European modernism to Northeast Ohio. He was born in Detroit, Michigan, and in his youth apprenticed for seven years to a lithographer. He is now considered one of the foremost Cleveland School artists. He briefly studied at an art academy in Germany and then worked as a lithographer in New York before moving to Cleveland, where he was awarded a major contract with the Otis Lithography Company. After his death at age 82, he was largely forgotten until 1980 when Hilton Kramer, a "New York Times" critic, praised his work. In May to July, 1994, the Ohio Arts Council held a retrospective of his work at the Riffe Gallery in Columbus. His work is found in many public collections including the National Museum of American Art, The Metropolitan Museum of Art, and the Whitney Museum of American Art. 200/600 Sold: $207.00 |
|
160. Attributed to William Sommer (American, 1867-1949) "Still Life of Apples and Pitcher". Ink and watercolor on paper, no signature found, matted and framed. Image size approx. 4-1/4" x 6-1/4", framed overall approx. 11-5/8" x 13-1/4". Sommer was born in Detroit, Michigan, and studied with a lithographer for seven years. His work is found in many public collections including the National Museum of American Art, The Metropolitan Museum of Art, and the Whitney Museum of American Art. He is one of the most well known Cleveland School artists. 1,000/1,500 Sold: $345.00 |
