Antiquities
1-10
11-20
21-30
31-38
Paintings
39-58
59-78
79-98
99-118
119-138
139-158
159-167
Works on Paper
168-177
178-187
188-197
198-207
208-217
218-227
228-237
238-247
248-257
258-267
Sculpture
268-277
278-287
288-297
298-305
Furniture
306-315
316-325
326-332
Vintage Photography
333-342
343-348
Orientalia
349-358
359-368
369-378
379-388
389-398
399-408
409-418
419-428
429-436
Fine Jewelry
437-456
457-476
477-496
497-516
517-536
537-556
557-576
577-596
597-610
Decorative Arts
611-630
631-650
651-670
671-690
691-710
711-722
Wedgwood
723-732
733-742
743-752
753-762
763-772
773-776
Porcelain & Ceramics
777-786
787-796
797-806
807-816
817-826
827-836
837-846
847-855
Glass
856-865
866-875
876-885
886-895
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Silver
900-909
910-919
920-929
930-939
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960-964
Carpets
965-974
975-984
985-994
995-1004
1005-1014
1015
Autographs, Books, Maps & Documents
1016-1025
1026-1035
1036-1045
1046-1050
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419. Chinese Famille Noir Vase, GuangXu ca. late 19th Polychromed vase with black ground with imagery of birds in blossoming trees. Decorative bands at base and rim in yellow and green. Unmarked. Wax resist base. Approx. 9-3/4"T x 8"W at shoulder. 200/400 Sold: $69.00 |
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420. Celadon Bowl, Song Dynasty Celadon glaze bowl with faint raised, whitish imagery of flowers and leaves on interior. Chinese, possibly Korean. Small footed base, apprx 2-3/4"T x 7"D. 300/500 Sold: $149.50 |
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421. Southeast Asian Celedon Pottery Bowl Footed bowl with an uncontrolled green glaze and cross hatched design on the outside of the bowl. Measures approx. 6"T x 8" in diameter. 150/350 Sold: $23.00 |
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422. Another Southeast Asian Celedon Pottery Bowl Footed bowl with a slightly flared rim has uncontrolled pale green glaze. The interior of the bowl has a stylized leaf design. Measures approx. 4" tall x 9" in diameter. 150/350 Sold: $63.25 |
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423. Utagawa Kunisada Toyokuni III (Japanese, 1786 - 1864) Probably from the "Eight views of the Soga with models of the actor`s own calligraphy." Original woodblock print on paper. Half portrait of a Kabuki actor. Artist's "Shichi juroku-sai Toyokuni hitsu" seal is on the top right corner. The artist started to use his age as part of the seal in 1861. This particular one states that Kunisada is 76 years old. Not framed. Overall measures approx. 15" x 10". 150/250 Sold: $74.75 |
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424. Utagawa Kunisada Toyokuni III ( Japanese, 1786 - 1864) "Hour of the Monkey." Original woodblock print. "Toyokuni ga" signature on the Toshidama cartouche. Published ca. 1856 by Yamaguchiya. Not framed. Paper measures approx. 15" x 10". 150/250 Sold: $63.25 |
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425. Utagawa Kunisada Toyokuni III (Japanese, 1786 - 1864) and Hiroshige (Japanese, 1797 - 1858) Collaboration original woodblock print. Figures by Kunisada and the landscape by Hiroshige. "Kochoro Toyokuni ga" signature in a Toshidama cartouche dated from 1850-1860. Not framed. Paper measures approx. 15" x 10". 150/300 Sold: $86.25 |
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426. Suzuki (Hozumi) Harunobu (Japanese, 1724 - 1770) From the series A Picture Book of Beautiful Women of the Green Houses (Ehon seiro bijin awase), ca. 1770. Seated beautiful woman reading a scroll. Not framed, overall paper measures approx. 8-1/4" x 5-1/2". Until 1765 Harunobu was not very popular until 1765, when friendship with the poets of haikai (seventeen-syllable poetry) in Edo, enabled him to produced the first nishiki-e (full-color woodcut print) in 1765, suddenly raising him to the zenith of the Ukiyo-e world. His unique dream-like bijin dominated the Ukiyo-e world of his time and Harunobu frequently composed mitate-e (parody pictures) of bijin, his subjects borrowed from historical facts and legendary tales. The basic concept of his art is affection, especially love which was a central element of his works. Harunobu also designed many shunga (erotic prints) which are marked by the same artistry and taste as his ordinary designs. 200/300 Sold: $115.00 |
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427. Suzuki (Hozumi) Harunobu (Japanese, 1724 - 1770) "Spring Dream." Original woodblock on paper from the Twelve Seasons print collection. Not framed, paper measures approx. 8-3/8" x 11-1/8". The print depicts two women having the same dream while sleeping. Until 1765 Harunobu was not very popular until 1765, when friendship with the poets of haikai (seventeen-syllable poetry) in Edo, enabled him to produced the first nishiki-e (full-color woodcut print) in 1765, suddenly raising him to the zenith of the Ukiyo-e world. His unique dream-like bijin dominated the Ukiyo-e world of his time and Harunobu frequently composed mitate-e (parody pictures) of bijin, his subjects borrowed from historical facts and legendary tales. He was devoted to idealized feminine beauty, which he interpreted as symbolizing tenderness, purity and frail grace. The basic concept of his art is affection, especially love which was a central element of his works. Harunobu also designed many shunga (erotic prints) which are marked by the same artistry and taste as his ordinary designs. 200/300 Sold: $230.00 |
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428. Gakutei (Yashima Harunobu), (Japanese, born circa 1786 - 1868) Surimono depicting a courtly woman with a fan. Top left corner features a short poem in a square cartouche. Original woodblock print with gaufrage. Published as a Shichi-Fukujin Series, or Seven Gods of Luck. Not framed, measures approx. 8-1/2" x 7-1/2". Surimono's were in fashion during late 18th to early 19th century. These were privately commissioned prints, which in turn were used as gifts, etc. Most of the artist's of that period were commissioned at one point or another. Historical events, scenes from nature, kabuki actors were among the most popular themes in surimonos. They were especially popular among poets. 200/300 Sold: $80.50 |
